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  <post>
    <IP type="integer">0.0.0.0</IP>
    <author-id type="integer">2961</author-id>
    <blog-id type="integer">3049</blog-id>
    <body>Hoy os presento a &lt;strong&gt;&lt;a href="http://es.wikipedia.org/wiki/Victor_Garber" title="http://es.wikipedia.org/wiki/Victor_Garber" id="link_1"&gt;Victor Garber&lt;/a&gt; &lt;/strong&gt; como el gran actor polifacetico que es, una de esas facetas es el teatro, donde ha hecho desde musicales, comedias, dramas, etc...Brillando siempre en sus actuaciones. Desde muy joven se subio a los escenarios de los teatros, para demostrar que estaba hecho para brillar en ellos.

&lt;centre&gt;&lt;object style="border: 0pt none ; margin: 0pt; background: transparent none repeat scroll 0% 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" width="425" height="344"&gt;&lt;param  name="movie" value="http://www.youtube.com/v/6V0sfhrDI9Y&amp;amp;hl=es&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param  name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param  name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed  src="http://www.youtube.com/v/6V0sfhrDI9Y&amp;amp;hl=es&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/centre&gt;
Ha trabajado en las siguientes obras de teatro, la mayor&#237;a de ellas, en &lt;strong&gt;Broadway&lt;/strong&gt; donde ha estado durante dos d&#233;cadas trabajando en teatro y musicales:
&lt;table style="border: 0px solid rgb(223, 223, 223); padding: 2px 5px; background: rgb(239, 239, 239) none repeat scroll 0% 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial;" width="489" border="0" cellpadding="0" cellspacing="0" height="788"&gt;&lt;tbody&gt;
&lt;tr style="background-color: rgb(223, 223, 223);"&gt;&lt;td valign="top"&gt;&lt;/td&gt;&lt;td&gt; &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;Present Laughter (2007)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/follies.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Follies (2007)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Follies (2007)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/ofTheeISing.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Of Thee I Sing (2006)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Of Thee I Sing (2006)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  A Little Night Music (2004)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/art.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Art (1998 and 1999)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Art (1998 and 1999)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/macbeth.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Macbeth (1996)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Macbeth (1996)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theRoyalFamily.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Royal Family (1996)&lt;/a&gt;&lt;/td&gt;--&gt;     &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Royal Family (1996)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/arcadia.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Arcadia (1995)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Arcadia (1995)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/damnYankees.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Damn Yankees (1993 and 1994)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Damn Yankees (1993 and 1994)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/aCheeverEvening.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  A Cheever Evening (1993)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  A Cheever Evening (1993)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/twoShakespeareanActors"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Two Shakespearean Actors (1992)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Two Shakespearean Actors (1992)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/assassins.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Reassurance (1991)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Reassurance (1991)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="merrilyWeRollAlong.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Assassins (1991)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Assassins (1991)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/loveLetters.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Merrily We Roll Along (1990)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Merrily We Roll Along (1990)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/lendMeATenor.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Love Letters (1989, 1990 and 1992)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Love Letters (1989, 1990 and 1992)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theDevilsDisciple.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Lend Me a Tenor (1989)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Lend Me a Tenor (1989)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;  &lt;!--&lt;td&gt;&lt;a href="theater/wenceslasSquare.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Devil's Disciple (1988)&lt;/a&gt;&lt;/td&gt;--&gt;     &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Devil's Disciple (1988)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/youNeverCanTell.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Wenceslas Square (1988)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Wenceslas Square (1988)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/noisesOff.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  You Never Can Tell (1986)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  You Never Can Tell (1986)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theImportanceOfBeingErnest.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Noises Off (1983 and 1985)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Noises Off (1983 and 1985)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theMiser.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Importance of Being Ernest (1983)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Importance of Being Ernest (1983)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/littleMe.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Miser (1982)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Miser (1982)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theyArePlayingOurSong.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  They're Playing Our Song (1979-1981)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  They're Playing Our Song (1979-1981)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/sweeneyTodd.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Sweeney Todd (1979)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Sweeney Todd (1979)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/deathtrap.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Deathtrap (1978)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Deathtrap (1978)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/tartuffe.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Tartuffe (1977)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Tartuffe (1977)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theAutumnGarden.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Autumn Garden (1976)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Autumn Garden (1976)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/asYouLikeIt.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  As You Like It (1976)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  As You Like It (1976)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/dasrlingJuno.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Daarlin' Juno (1976)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Daarlin' Juno (1976)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/houseOfMirth.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  House of Mirth (1976)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  House of Mirth (1976)&lt;/span&gt;&lt;/td&gt;      &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/cracks.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Cracks (1976)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Cracks (1976)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/donJuan.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Don Juan (1975)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Don Juan (1975)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/aMidsummerNightsDream.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  A Midsummer Night's Dream (1975)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  A Midsummer Night's Dream (1975)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/JoesOpera.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Joe's Opera (1975)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Joe's Opera (1975)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theSoldiersTale.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Soldier's Tale &amp; The Knight of the Burning Pestle (1974)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Soldier's Tale &amp;amp; The Knight of the Burning Pestle (1974)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/cyranoDeBergerac.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Cyrano De Bergerac (1973)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Cyrano De Bergerac (1973)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/ghosts.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Ghosts (1973)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Ghosts (1973)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theWaltzOfTheToreadors.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Waltz of the Toreadors (1973)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Waltz of the Toreadors (1973)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/godspell.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Godspell (1972)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Godspell (1972)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theRoarOfTheGreasepaint.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Roar of the Greasepaint - The Smell of the Crowd (1966-1967)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Roar of the Greasepaint - The Smell of the Crowd (1966-1967)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/theDiaryOfAnnFrank.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The Diary of Ann Frank (1964-1965)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The Diary of Ann Frank (1964-1965)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/kissMeKate.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Kiss Me Kate (1963-1964)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Kiss Me Kate (1963-1964)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/lifeWithFather.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Life With Father (1961-1962)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Life With Father (1961-1962)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/Heidi.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Heidi (1960-1961)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Heidi (1960-1961)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/tomSawyer.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Tom Sawyer (1959-1960)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Tom Sawyer (1959-1960)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;    &lt;!--&lt;td&gt;&lt;a href="theater/theKingAndI.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  The King and I (1959-1960)&lt;/a&gt;&lt;/td&gt;--&gt;    &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  The King and I (1959-1960)&lt;/span&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="background-color: rgb(223, 223, 223);"&gt;     &lt;!--&lt;td&gt;&lt;a href="theater/macbethI.html"&gt;   &lt;img src="http://lacomunidad.elpais.com/images/tri.gif" border="0" alt="" width="7" height="9"&gt;  Macbeth (1958-1959)&lt;/a&gt;&lt;/td&gt;--&gt; &lt;td valign="top"&gt;
&lt;/td&gt;&lt;td&gt;   &lt;span style="color: rgb(102, 0, 0);"&gt;&lt;img src="http://www.victor-garber.com/images/tri.gif" alt="" width="7" border="0" height="9"&gt;  Macbeth (1958-1959)&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;
&lt;centre&gt;&lt;img src="http://lacomunidad.elpais.com/blogfiles/anapinillas/213216_premiere.gif" id="img_23" class="imgcen"&gt;&lt;/centre&gt;</body>
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    <created-at type="datetime">2008-11-26T16:22:41Z</created-at>
    <date type="datetime">2008-11-26T15:05:00Z</date>
    <id type="integer">239080</id>
    <last-comment-date type="datetime">2009-02-08T13:41:25Z</last-comment-date>
    <myfile-id type="integer"></myfile-id>
    <nicetitle>victor-garber-como-actor-teatro</nicetitle>
    <published-at type="datetime">2008-11-26T16:22:40Z</published-at>
    <site-id type="integer">1</site-id>
    <status type="integer">1</status>
    <title>VICTOR GARBER:  COMO ACTOR DE TEATRO</title>
    <updated-at type="datetime">2009-06-10T13:05:53Z</updated-at>
  </post>
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    <body>&lt;FONT color=#999999&gt;Estos v&#237;deos se los dedico a &lt;STRONG&gt;mi marido, hermano y primo&lt;/STRONG&gt;, pues todos ellos son fans de este grupo. A m&#237; no es la m&#250;sica que m&#225;s me gusta, pero he de decir que seg&#250;n en que momento te encuentres, la puedes disfrutar tanto, como si fuera tu grupo favorito. Quiero hacer especial hincapi&#233; en la dedicatoria, pues quiero que sirva como una especie de reconocimiento, agradecimiento, etc..., al apoyo que tanto mi hermano &lt;STRONG&gt;Dani, &lt;/STRONG&gt;como mi primo &lt;STRONG&gt;Carlos,&lt;/STRONG&gt; me han dado en momentos bajos y dif&#237;ciles que tuve, sin permitirme que me viniese abajo, acompa&#241;&#225;ndome en todo momento, respald&#225;ndome, anim&#225;ndome, en fin chicos, que la palabra &lt;STRONG&gt;gracias&lt;/STRONG&gt; se queda peque&#241;a con lo que vosotros hicisteis y hac&#233;is por m&#237;. Y por supuesto a mi marido Tino, que siempre est&#225; ah&#237; para todo, sin dejarme sola en nada y colm&#225;ndome de atenciones y mimos todos los d&#237;as. &#161;Que suerte tengo de teneros en mi vida, guapetones!. Espero que os gusten los videos
&lt;/FONT&gt;

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    <created-at type="datetime">2008-06-03T18:22:33Z</created-at>
    <date type="datetime">2008-06-03T18:11:00Z</date>
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    <nicetitle>versionando-extremo-duro</nicetitle>
    <published-at type="datetime">2008-06-03T19:02:32Z</published-at>
    <site-id type="integer">1</site-id>
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    <title>Versionando a Extremoduro</title>
    <updated-at type="datetime">2009-07-05T08:27:20Z</updated-at>
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    <body>&lt;STRONG&gt;&lt;/STRONG&gt;&lt;STRONG&gt;GRUPO SALVAJE:&lt;/STRONG&gt;

Una pel&#237;cula del director estadounidense &lt;STRONG&gt;Sam Peckinpah&lt;/STRONG&gt;, cuyo t&#237;tulo original es &lt;STRONG&gt;The Wild Bunch&lt;/STRONG&gt;, para m&#237; una gran pel&#237;cula diferente al western habitual que nos tiene acostumbrado hollywood. Film que mezcla lealtad, camarader&#237;a, a&#241;oranza de otro tiempo, esperanza, sue&#241;os, risas, con insensibilidad, brutalidad, sangre, dolor, guerra, miseria y unos personajes que se encuentran fuera de su lugar, en una epoca que ya no es la suya. 
Un relato de bandidos que crean unos lazos de pertenencia al grupo s&#243;lidos e inquebrantables. Bandidos sanguinarios, ladrones, borrachines, mis&#243;ginos y &#233;ticamente reprobables en much&#237;simos aspectos, mantienen, sin embargo, un f&#233;rreo c&#243;digo de honor y de uni&#243;n que termina por convertirlos en admirables.

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La canci&#243;n &lt;STRONG&gt;"La golondrina"&lt;/STRONG&gt;, encaja perfectamente en esta escena de la pel&#237;cula, donde los lugare&#241;os los toman como hombres importantes, no como perdedores, fugitivos, que en realidad es lo que son. Esa escena con la gente despidi&#233;ndolos con esa canci&#243;n consigue emocionar, ablandar a esos rudos e insensibles hombres.

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    <created-at type="datetime">2008-04-16T19:40:11Z</created-at>
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    <published-at type="datetime">2008-04-17T22:56:21Z</published-at>
    <site-id type="integer">1</site-id>
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    <title>El lado menos rom&#225;ntico del Oeste</title>
    <updated-at type="datetime">2009-06-10T13:05:54Z</updated-at>
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    <created-at type="datetime">2008-04-11T22:05:28Z</created-at>
    <date type="datetime">2008-04-11T22:00:00Z</date>
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    <nicetitle>tarde-flamenca-improvisada-avila</nicetitle>
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    <site-id type="integer">1</site-id>
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    <title>Tarde flamenca improvisada en Avila</title>
    <updated-at type="datetime">2009-06-10T13:04:00Z</updated-at>
  </post>
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