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    <IP type="integer">79.147.209.118</IP>
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    <body>Los Orbison son moteros, pero en 1966, Roy sufre un accidente de moto en el que muere su esposa Claudette, qued&#225;ndose solo con sus tres hijos. Le dedic&#243; una canci&#243;n, "Too soon to know" que lleg&#243; arriba en las listas brit&#225;nicas, a pesar del &#233;xito de los Beatles.


La tragedia le persigue y en 1968, cuando se encontraba de gira por el Reino Unido, un incendio en su casa de Tennessee acaba con las vidas de sus hijos Roy (13 a&#241;os) y Tony (8 a&#241;os). Dificilmente levantar&#225; cabeza, su vida quedar&#225; marcada, a pesar de su segundo matrimonio (1969) y a pesar de continuar con su carrera. Con los a&#241;os, vuelve a sus or&#237;genes country conservando su inmensa voz.

En 1985 firma temas como "Wild hearts" que ser&#225; banda sonora del film "Insignificance", y "Coming home", tema que da t&#237;tulo al elep&#233; del "Curso del 55", reuni&#243;n de artistas de la Sun ( a la que hicimos referencia anteriormente).




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    <created-at type="datetime">2009-11-09T12:09:32Z</created-at>
    <date type="datetime">2009-11-09T11:02:00Z</date>
    <id type="integer">403860</id>
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    <nicetitle>roy-orbison-romantico-solitario-iv-</nicetitle>
    <published-at type="datetime">2009-11-09T12:09:32Z</published-at>
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    <title>Roy Orbison, el rom&#225;ntico solitario. (IV)</title>
    <updated-at type="datetime">2009-11-09T12:09:32Z</updated-at>
  </post>
  <post>
    <IP type="integer">88.3.216.44</IP>
    <author-id type="integer">18253</author-id>
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    <body>Se hace popular en Reino Unido y Australia con nuevas y atractivas canciones, con tono bastante melodram&#225;tico. Su voz lo puede todo. Son temas como "Blue Angel" (1960), "In Dreams", "Crying" (1961), "Running Scared" (1961), "Dream Baby" (1962), "It's Over" (1964), "Falling", "I'm Hurtin' ", "Mean Woman Blues", "Blue Bayou", o la ya cl&#225;sica "Oh, Pretty Woman" (1964).

 (Aunque no es mi costumbre, deseo exponer algo personal: Me fastidia que "Oh, Pretty Woman" vaya asociada a la simple pel&#237;cula del mismo t&#237;tulo, de 1990, con actor y actriz de moda, me fastidia que la preciosa canci&#243;n de Roy ORbison, dedicada a las mujeres, se identifique con la historia de una prostituta "afortunada". Lo &#250;nico positivo de este film fu&#233; que Roy, fallecido dos a&#241;os antes, llegara a ser conocido por los m&#225;s j&#243;venes.)






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    <created-at type="datetime">2009-11-02T12:10:48Z</created-at>
    <date type="datetime">2009-11-02T10:58:00Z</date>
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    <nicetitle>roy-orbison-romantico-solitario-iii-</nicetitle>
    <published-at type="datetime">2009-11-02T12:10:48Z</published-at>
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    <title>Roy Orbison, el rom&#225;ntico solitario. (III)</title>
    <updated-at type="datetime">2009-11-02T12:10:48Z</updated-at>
  </post>
  <post>
    <IP type="integer">79.147.208.122</IP>
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    <body>Roy firma contrato con la RCA y se va a grabar a Nashville, pero los temas "Almost eighteen" y "Paper boy" fracasan y la RCA le rechaza. En 1959 se cambia al sello Monument en el que se reedita "Paper boy" y "Uptown" sin mucha relevancia. El due&#241;o de Monument, Fred Foster, desesperado ya, sugiere cambiar la l&#237;nea de Orbison, pasando del rock and roll a las baladas. En 1960 surge "Only the lonely", que llega a ser n&#250;mero 1 y disco de oro convirti&#233;ndole en estrella internacional.








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    <created-at type="datetime">2009-10-29T17:56:20Z</created-at>
    <date type="datetime">2009-10-29T17:32:00Z</date>
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    <nicetitle>roy-orbison-romantico-solitario-ii-</nicetitle>
    <published-at type="datetime">2009-10-29T17:56:19Z</published-at>
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    <title>Roy Orbison, el rom&#225;ntico solitario. (II)</title>
    <updated-at type="datetime">2009-10-29T17:56:20Z</updated-at>
  </post>
  <post>
    <IP type="integer">79.147.208.122</IP>
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    <body>Roy Orbison supo sobrevivir a una serie de adversidades en su vida personal y tambi&#233;n a los cambios de tendencias musicales en su larga carrera (cuatro d&#233;cadas). Fu&#233; uno de los grandes poetas musicales del pop de los a&#241;os 60. Cantaba con su guitarra al amor y a la soledad. Con una voz incomparable matizaba cada palabra con una t&#233;cnica &#250;nica. Sol&#237;a vestir de negro, su imagen es inconfundible.

Roy Kelton Robinson naci&#243; el 23 de Abril de 1936 en Vernon (Tejas, EE.UU.). Su padre le ense&#241;&#243; a tocar la guitarra, y pronto form&#243; una banda, "The Wink Westerners", con la que tocaba m&#250;sica country. Fu&#233; evolucionando hacia el rockabilly. El nombre de la banda cambi&#243;, pasando a llamarse "The Teen Kings". Por su amistad con Buddy Holly, tambi&#233;n tejano, conoce al manager de &#233;ste, Norman Petty, que le facilit&#243; una grabaci&#243;n de dos canciones en sus estudios de Clovis (Nuevo M&#233;xico), eran "Tryin' to get to you" y "Ooby dooby", era el a&#241;o 1956. Se editaron en el sello Jewel. Sam Phillips, due&#241;o de la Sun Records, escuch&#243; el disco y fich&#243; a Roy. Sale otro disco con "Ooby dooby" y "Go, go, go" en la cara B. Consigue un gran &#233;xito con 350.000 copias vendidas.





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Luego vendr&#237;an los temas "Rock house", "You are my baby", "Sweet and easy" (1957) y "Domino".






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    <created-at type="datetime">2009-10-24T16:15:09Z</created-at>
    <date type="datetime">2009-10-24T15:15:00Z</date>
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    <nicetitle>roy-orbison-romantico-solitario-i-</nicetitle>
    <published-at type="datetime">2009-10-24T16:15:09Z</published-at>
    <site-id type="integer">1</site-id>
    <status type="integer">1</status>
    <title>Roy Orbison, el rom&#225;ntico solitario. (I)</title>
    <updated-at type="datetime">2009-10-24T16:15:09Z</updated-at>
  </post>
  <post>
    <IP type="integer">88.26.50.122</IP>
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    <body>Los Everly Brothers proceden del country, del que sus padres eran int&#233;rpretes, y hac&#237;an giras juntos.

Nacieron en Brownie (Kentucky), Don, en Febrero de 1937, y Phil, en Enero de 1939. Comenzaron de peque&#241;os a habituarse a los escenarios. Tras graduarse en la escuela superior, los hermanos se trasladan a Nashville. En Noviembre de 1955 consiguen un contrato por seis meses con la Columbia. Su primer disco fracasa. Consiguen despu&#233;s una audici&#243;n con un importante editor, Wesley Rose, y graban un tema (de Felice y Bondleaux Bryant) que nadie antes hab&#237;a querido interpretar. Era "Bye, bye, love". Consiguieron un gran &#233;xito en 1957.






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M&#225;s tarde siguieron m&#225;s &#233;xitos, como "Wake up, little Susie", "All I have to do is dream", "Bird dog" y "Cathy's clown".




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    <created-at type="datetime">2009-09-30T19:01:40Z</created-at>
    <date type="datetime">2009-09-30T18:08:00Z</date>
    <id type="integer">384894</id>
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    <nicetitle>everly-brothers-</nicetitle>
    <published-at type="datetime">2009-09-30T19:01:40Z</published-at>
    <site-id type="integer">1</site-id>
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    <title>Everly Brothers.</title>
    <updated-at type="datetime">2009-09-30T19:01:40Z</updated-at>
  </post>
  <post>
    <IP type="integer">88.22.191.234</IP>
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    <body>Brenda Lee nace el 11 de Diciembre de 1944, en Atlanta. Ya destacaba en cert&#225;menes de talentos infantiles. Debuta en 1956, con solo 12 a&#241;os, y consigue convertirse en &#237;dolo adolescente. Tambi&#233;n sigue la l&#237;nea del country en los a&#241;os 60, pero antes nos deja bonitos dramas juveniles. &#201;xitos destacados suyos fueron "Dinamite", "Sweet nothings", "Will you still love me tomorrow?" y "I'm sorry", entre otros.
Hoy, con 64 a&#241;os, sigue dando multitud de galas.










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Del Shannon (Charles Weedon Westover, Dic. de 1934 - Feb. de 1990) es compositor, arreglista y productor, ademas de poseer una voz peculiar. Esto le merece el respeto del futuro pop de los 60 y 70 (Beatles, Elton John, Jeff Lynne, Tom Petty, Dave Edmunds). En 1960 sali&#243; su tema m&#225;s destacado, "Runaway". Despu&#233;s publicar&#237;a "Hats off to Larry" y "Little town flirt"(1962).



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</body>
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    <created-at type="datetime">2009-09-19T19:56:30Z</created-at>
    <date type="datetime">2009-09-19T18:43:00Z</date>
    <id type="integer">379178</id>
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    <nicetitle>brenda-lee-del-shannon-</nicetitle>
    <published-at type="datetime">2009-09-19T19:56:30Z</published-at>
    <site-id type="integer">1</site-id>
    <status type="integer">1</status>
    <title>Brenda Lee. Del Shannon.</title>
    <updated-at type="datetime">2009-09-19T19:56:30Z</updated-at>
  </post>
  <post>
    <IP type="integer">88.22.191.234</IP>
    <author-id type="integer">18253</author-id>
    <blog-id type="integer">12100</blog-id>
    <body>Ricky Nelson nace el 8 de Mayo de 1940. Sus padres actuaban en la radio en los a&#241;os 40, y a partir de 1952 pasar&#225;n a la televisi&#243;n. Ricky, un chico guapo, comienza a actuar en el programa de sus padres. En Abril de 1957 graba una versi&#243;n de "I'm walking' " (de Fats Domino) que consigue ser un &#233;xito de ventas.




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En Agosto act&#250;a en concierto en Columbus (Ohio) ante unas 15.000 personas acompa&#241;ado por "The Four Preps", fu&#233; una gran experiencia para &#233;l. En Noviembre de 1957 publica su canci&#243;n "Be bop baby" que rivaliza con Elvis y Sam Cooke en las listas de &#233;xito.






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Luego vendr&#237;an temas como "Lonesome town", "Travellin' man", "Hello Mary Lou" o "Poor little fool" . Con 20 a&#241;os, Ricky hab&#237;a logrado 11 discos de oro.




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En 1963 ficha por Decca Records, y se desliza hacia el country. En el sello MCA cre&#243; "The Stone Cayon Band" confirmando su l&#237;nea de country rock. Versione&#243; a Dylan y cre&#243; bellos temas instrumentales ("Song for Christie").

En 1971 act&#250;a en un festival de "viejos rockeros" en el Madison Square Garden, experiencia que le deprimi&#243; y le motiv&#243; para hacer en 1972 el tema "Garden Party". Graba despu&#233;s en Capitol. Su &#250;ltimo album ser&#225; "Playing to win", con temas de Ry Cooder, John Fogerty y Graham Parker. 

Camino de Dallas, a donde se dirig&#237;a para un concierto de f&#237;n de a&#241;o de 1985, su avi&#243;n privado se estrella muriendo todos.




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    <created-at type="datetime">2009-09-18T19:06:44Z</created-at>
    <date type="datetime">2009-09-18T17:37:00Z</date>
    <id type="integer">378800</id>
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    <nicetitle>ricky-nelson-</nicetitle>
    <published-at type="datetime">2009-09-18T19:06:44Z</published-at>
    <site-id type="integer">1</site-id>
    <status type="integer">1</status>
    <title>Ricky Nelson.</title>
    <updated-at type="datetime">2009-09-18T19:06:44Z</updated-at>
  </post>
  <post>
    <IP type="integer">79.147.209.6</IP>
    <author-id type="integer">18253</author-id>
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    <body>Paul Anka (Ottawa, 1941) era compositor de sus propios temas. Su sublime "Diana" triunfa en 1957, llega al N&#186; 1, y hoy es uno de los singles m&#225;s vendidos. Canta melosas historias de amores adolescentes en temas como "You are my destiny" (1958), "Lonely boy" (1959), "Puppy love" (1959) o "Put your head on my shoulder".






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Neil Sedaka (Brooklyn, 1939) sobresale con "Oh Carol" (1959), dedicada a su ex novia Carol King. Otros temas exitosos son "Calender girl" (1960), "Happy Birthday sweet sixteen" (1961) y "Breaking up is hard to do" (1962).




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    <created-at type="datetime">2009-09-12T19:08:51Z</created-at>
    <date type="datetime">2009-09-12T17:45:00Z</date>
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    <nicetitle>paul-anka-neil-sedaka-</nicetitle>
    <published-at type="datetime">2009-09-12T19:08:50Z</published-at>
    <site-id type="integer">1</site-id>
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    <title>Paul Anka. Neil Sedaka.</title>
    <updated-at type="datetime">2009-09-12T19:08:51Z</updated-at>
  </post>
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    <body>Son los pr&#237;ncipes y princesas del "high school", esa m&#250;sica considerada como el inicio del pop.

La lista es larga: Bobby Vee, Bobby Darin, Connie Francis, Johnny Preston, Pat Boone, Paul Anka, Neil Sedaka, Brenda Lee, Rickie Nelson, Del Shannon, Everly Brothers... Se salvan los que tienen talento musical.




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    <created-at type="datetime">2009-09-07T17:37:30Z</created-at>
    <date type="datetime">2009-09-07T16:52:00Z</date>
    <id type="integer">372885</id>
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    <nicetitle>las-dulces-canciones-del-instituto-ii-</nicetitle>
    <published-at type="datetime">2009-09-07T17:37:30Z</published-at>
    <site-id type="integer">1</site-id>
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    <title>Las dulces canciones del Instituto. (II)</title>
    <updated-at type="datetime">2009-09-07T17:37:30Z</updated-at>
  </post>
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    <body>A partir de 1957 el rock and roll decae debido, en buena parte, a una serie de funestas circunstancias que coinciden en esos a&#241;os: Elvis se va a la mili, Carl Perkins est&#225; en el hospital, Chuck Berry es encarcelado, Little Richard siente la llamada divina para dejar el rock, Jerry Lee Lewis y Gene Vincent ven su prestigio por los suelos, y Buddy Holly, Ritchie Valens, Big Bopper y Eddie Cochran han muerto tr&#225;gicamente.

Vuelve tambi&#233;n la reacci&#243;n conservadora contra el rock. Frank Sinatra dir&#237;a en 1958 que el rock and roll era "la forma de expresi&#243;n m&#225;s fea, brutal, desesperada y depravada que yo haya tenido la desgracia de escuchar".

Comienzan a ser protagonistas los int&#233;rpretes de "buena presencia" y m&#250;sica dulzona que, con letras superficiales sobre sus problemas adolescentes, triunfan. Por lo general, no componen sus canciones. Muchos son de Filadelfia, son promocionados por Dick Clark en un programa televisivo; es el caso de Fabian, Bobby Rydell, Frankie Avalon y Freddy Cannon.




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    <created-at type="datetime">2009-09-07T11:36:45Z</created-at>
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    <title>Las dulces canciones del Instituto. (I)</title>
    <updated-at type="datetime">2009-09-07T11:36:45Z</updated-at>
  </post>
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